Music-Engendered Laughter:

An Analysis of Humor Devices in PDQ Bach

David Huron
International Conference on Music Perception and Cognition

Evanston, Illinois, August 7, 2004

Abstract

Live recordings of Peter Schickele's music were examined and 629 instances of audience laughter were identified. Each of the laughter-evoking moments was analyzed to determine possible reasons why listeners might have laughed. Excluding visual gags and language-based humor, the musical devices used by Schickele appear to fall into nine categories. All of the devices used by Schickele involve violations of expectation. A plausible physiological explanation can be offered for why listeners respond to some dramatic violations of expectation by producing the distinctive "ha-ha-ha ..." vocalization.


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