David Huron
CCRMA, Stanford University.
March 5, 2003
A theory of music and emotion is outlined based on current psychological and neurophysiological research. Evidence supports a distinction between six semi-independent paths through which emotions are evoked. All six "systems" operate concurrently, and are able to account for mixed and paradoxical emotions, such as simultaneous feelings of attraction and revulsion. Music, like most complex stimuli/situations is capable of activating all six systems. The existing research provides useful insights into a variety of musical issues, including adolescent musical development, and cross-cultural similarities and differences. Although the formalist tradition in musical aesthetics has remained broadly skeptical of the role of emotion in music perception, it is argued that limbic activation is ultimately essential for the appreciation of music.